It starts with Noah’s Drunkenness, then the Flood, and finally his Sacrifice. After taking the forbidden fruit from Satan, symbolized as a serpent with a woman’s body wrapped around a tree in Original Sin and Banishment from Eden, Adam and Eve are sent packing. Adam is created after Eve. This classic depiction of a bearded God pointing his finger at Adam, bringing him to life, is most well-known. Finally, the Separation of Light from Darkness depicts a dreadful God reaching out to touch the sun. Around the middle panels are 20 ignudi, or male nudists.
As they are ripped from their tombs to confront him, Michelangelo’s mesmerizing Giudizio Universale appears opposite. The saved go to paradise (upper right), while the condemned are banished to hell (lower right) (in the bottom right). On the right, at the bottom, is a guy with donkey ears and a snake around his neck. Biagio de Cesena, the papal master of ceremonies, savaged Michelangelo’s work. St Bartholomew, directly underneath Christ, holds his own flayed skin. The face in the flesh is thought to represent Michelangelo, his agonized expression symbolizing his pained faith.
The chapel’s walls are frescoed. They were painted in 1481–82 by a renaissance team that included Botticelli, Ghirlandaio, Pinturicchio, Perugino, and Luca Signorelli (to the right). These include Botticelli’s Temptation of Christ and Perugino’s Key-handling. The Sistine Chapel is where the conclave gathers to pick a new pope, as well as a showcase for precious art.